7.27.2010

What's up, Doc?


A Wild Hare
Released June 27th, 1940


Happy 70th Birthday Bugs Bunny!

Icon of the American screen, one of the great cartoon characters of all time (American or otherwise), Bugs was born in Brooklyn in a warren under Ebbets Field.

Created by Tex Avery, animated by Virgil Ross (both of whom we will attend to in a future post), the 1938 prototype for Bugs Bunny appeared in Pokey's Hare Hunt.

Read a little Starpulse blurb on Bug's birthday, and even more at the Smithsonian Libraries.

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7.23.2010

Hallelujah Anyway

from Selected Poems by Kenneth Patchen
"I don’t consider myself a painter. I think of myself as someone who has used the medium of painting in an attempt to extend."
In the late 1950's, after a series of back surgeries dating to a 1937 spinal injury, the poet Kenneth Patchen suffered a botched and unnecessary operation. As a result, Patchen spent the remainder of his life in constant pain, incapacitated for the most part, and destitute.

Because of this condition, he took to writing his poems in a long hand scrawl, accompanied by ink drawings.

Because Going Nowhere Takes A Long Time
from Because I Is


Because It Is is a collection of poems with drawings. Published in 1960, this New Directions book marks the beginning of what would eventually become his "Picture Poems."

Kenneth Patchen's Picture Poems were revolutionary, whacky, and spiritually transformational. Foreshadowing what's now become more common place in visual arts — writing on paper or canvas with drawn or painted images, Patchen's work was born of necessity. He only had so much energy, time and freedom of movement to express the flood of his mighty soul.


Bedridden for years, Kenneth Patchen blazed trails that others have continued to fumble forward upon.  Patchen helped to create the poetry reading performance and was the first to read poetry accompanied by jazz musicians.

His novel, SLEEPERS AWAKE on the precipice profoundly changed my understanding of life and art when I read it at 19.

If you are not familiar with Kenneth Patchen, start exploring now.  His universe of work is wondrous and brutal and true. If his work doesn't blow your mind, it may expand it if you let it.

Follow the links embedded in this post. Check Kenneth Patchen books out of your local library orbuy them at Amazon. Special thanks to New Directions for publishing Patchen's work throughout the years.

Visit an Online exhibit of selections from Patchen's Picture Poems and read about the 2009-2010 Legion of Honor Fine Arts Museum exhibit of his painted books and picture poems.



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7.21.2010

New York States of Mind

People in Time Warner Building at Columbus Circle
December 19, 2009


Jason Polan is drawing Every Person in New York and publishing those drawings on his blog. This grand obsession has been in the works since late March, 2008.

Jason is drawing anyone and everyone and, this being NYC, in the pages you can find the noteworthy likes of Lewis Lapham, Peter Sarsgaard, Dr. Ruth Westheimer, Helena Christensen, Malcolm Gladwell, and other folks of fortune and fame.

Spend some time scrolling through the Every Person in New York blog. It's fun and might inspire some bright drawing ideas of your own!

Read a nice, lengthy article and interview with Jason by Jill Singer for Sight Unseen.
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7.15.2010

How a pencil is made



Enjoy this inside look at how a pencil is made at General Pencil CompanyPencil Makers in the USA Since 1889!

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7.13.2010

This American Life


"Aging" by Harvey Pekar
Illustrated by Rick Parker
Click to read full story


How many people in the history of mankind have attracted multiple artists over the course of decades to illustrate their ordinary, everyday lives? Um... Harvey Pekar.

The American Splendor story came to an end yesterday with the passing of Harvey Pekar.

Putting artists to work on drawings is always a good thing. Even better was Pekar's encouragement to examine regular, everyday experience; to make the minutiae of the most common life extraordinary. That he coupled his writing with drawings in comic book form was his stroke of genius. Regardless of your aesthetic sensibilities, we are all the richer for Pekar's life.

Read a tribute to Pekar by his collaborators published in yesterday's Washington Post,

Pekar's obit in the NYT Arts section,

Ken Tucker's tribute to Pekar in EW.com and another by AP's Jake Coyle.

Visit the Pekar Project

and, if you haven't yet seen it, watch the unusual and brilliant film American Splendor with Paul Giammati as Pekar.

More than any tribute can, the In These Times article by James Hynes about Pekar's appearances on David Letterman's show astutely describes Pekar's place, if not role, in contemporary American culture.

Andrew D. Arnold closed a 2001 Time Magazine article by writing that Pekar was
"Often funny, sometimes poignant, but always truthful in a medium that mostly specializes in fiction."

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7.12.2010

Happy Birthday Etch-A-Sketch!


Conceived in France, born in Germany and raised in the USA by Ohio Art, the Etch-A-Sketch turns 50 years old today!

Definitely my favorite "toy" growing up. I had the most fun drawing elevations and floor plans (maybe because there were very few curved lines).

Read a great article by Jon Chavez on the Etch A Sketch in Scripps News, visit the Etch A Sketch facebook page, and learn about the world's largest Etch A Sketch on exhibit at the Children's Museum in Indianaopolis!

and don't forget to visit way cool Etch's land at Ohio Arts.

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7.11.2010

Guild of Natural Science Illustrators

The Guild Handbook of Scientific Illustration, 2nd Edition

In 1966, Carolyn Bartlett Gast decided to organize the scattered scientific illustrators at the Smithsonian. By 1968, Gast had founded the Guild of Natural Science Illustrators with twenty-one members.

Today opens the 32nd Annual GNSI Conference in Raleigh, North Carolina. Much of the work of the guild (and their conference) is devoted to career concerns, communication, and technical and technological issues in scientific illustration. Still, drawing is fundamental and this year, Linda Feltner is leading a workshop on Drawing Live Animals.

In conjunction with the conference, a show of scientific illustrations is on display at North Carolina State University Libraries’ Special Collection Exhibit Gallery through the first week of August.

View a slideshow of selections from this exhibit of GNSI members work.
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7.05.2010

Drawing from Within

Drawing From Within: Unleashing Your Creative Potential
Nick Meglin with Diane Meglin, DCSW

A couple of years ago, one of my drawing students walked into class with a book in her hand and said "This is the best book on drawing! It sounds just like you! You can borrow my copy and read it in a day."

After class, I sat down and did just that. This is the best book on drawing (although I have a few favorites) and I heard echoes throughout of what I tell students in my own drawing classes.
"No one can teach you to draw. Where art education often fails is in the premise that drawing can be taught. It can't. Then how does one learn to draw? One doesn't! One draws! The education of an artist is the result of his or her experiences of drawing."
Nick Meglin knows what he's talking about. He taught drawing and illustration at the School of Visual Arts in New York City for over ten years and was editor of MAD Magazine for decades.

What a thrill to find a richly illustrated (by 47 different artists), brilliantly written book on drawing by a kindred soul.

One of the most difficult challenges of teaching drawing is to get students to bypass the thinking mind. I use a bit of gesturing to describe the process of making a drawing in my opening classes. Nick Meglin sums up the mechanics of drawing succinctly —
"Ultimately, the drawing instrument becomes only the extension of the eye by way of the hand. The eye sees, the hand reacts, the instrument delivers the message to the drawing surface. It should be a brainless process."
Written with Nick's daughter, the compassionate Diane MeglinDrawing From Withinprovides tremendous support for allowing students to accept their unique efforts. Notions of perfection, mastery and techniques are great hurdles for adults who want to draw.
"Drawing without concern about "making a drawing" is what personal, sincere self-expression is all about. And the wonderful paradox is that the work that is sincere, personal, and created for one's own satisfaction is what is most often celebrated by both critics and public alike."
Each of the fourteen chapters is completed by a set of relevant exercises. You can use this book to set yourself on a drawing course for life. The remarkable quality of Drawing From Within is that — in addition to being a great book on drawing — the Meglins make the connection for the reader of drawing practice being the key that unlocks the barriers to creative expression.
The creative process often provides answers when no questions were asked, arrives at solutions where problems weren't apparent, and ties into neat packages many thoughts and ideas that were previously isolated or unrelated. This process isn't unique to the art of drawing alone. It is true of each form and fashion of art and it's true of all creative endeavors."
Drawing From Withinis fun to read. It's a page turner! How many books can you say that about?
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6.28.2010

Painter and Poet

E. E. Cummings
Paris view from a rooftop studio
Ink on paper, 9 x 11-3/8 inches
Collection of Ken Lopez, Bookseller

"'Peintre et poete,' he had told a French policeman who asked his profession before arresting him; I think that was in 1923. Poet and painter—and nothing else—he remained to the end.
                —Malcolm Cowley, E. E. Cummings: Poet and Painter
This is the first of two posts on poets. I was going to write a combined post on E. E. Cummings and Kenneth Patchen because both poets spent a considerable amount of time drawing and were close friends but have decided that each deserves a unique entry. Cummings and Patchen spent long hours talking at Cumming's house on Patchin Place in the Village where Patchen lived for a time.  I'm guessing that some of their talk must have been about drawing and painting but can't find any record of such.

View a collection of E. E. Cummings drawings.
"Cummings viewed himself as much a painter as a poet, as evidenced by the enormous amount of time and energy he devoted to this lesser-known half of his "twin obsession." Not only did Cummings spend a greater portion of his time painting than writing, he also produced thousands of pages of carefully thought-out notes concerning his own aesthetics of painting: color-theory, analysis of the human form, the "intelligence" of painting, reflections on the Masters, etc.
Critics have tended to divide Cummings' painterly career roughly into two stylistically differing chronological phases. The first phase, more or less from 1915-1928, covers his widely-acclaimed large-scale abstractions and his immensely popular drawings and caricatures published throughout the 1920s in the leading modernist journal, The Dial. The second phase, covering the period from 1928 until his death in 1962, consists primarily of representational works: still lifes, landscapes, nudes, and portraits.
                Ken Lopez, Bookseller
For an interesting little history by Milton A. Cohen on E.E. Cummings drawings for and other contributions to The Dial, read The Dial's "White-Haired Boy": E. E. Cummings as Dial Artist, Poet, and Essayist.

Learn more about the visual side of this poet at E. E. Cummings art

Visit the E. E. Cummings art collection at the Harry Ransom Research Center at the University of Texas at Austin

Read a succinct article by Jim Lane for the Humanities Web, E. E. Cummings, the Artist.
"It takes courage to grow up and become who you really are." —E. E. Cummings

Stay tuned for Kenneth Patchen!
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6.13.2010

Everyman

Charlie Brown
Charles Schultz




There will be at least one if not several more posts related to Peanuts and Charlie Brown, I'm sure. This post shares the brief video above for Schulz and Peanuts: A Biography,the David Michaelis book, and the brilliant, poignant, full-length PBS American Masters program (which is only available for viewing on youtube.) Part one is below. As each part ends, click on the next segment at the top of the list.



I grew up on Peanuts comic strips. Day after day. Year after year. As I was watching the America Masters program, I couldn't help wondering what the Peanuts strips and characters mean to folks who've come of age since oh, say, the late 1980's.

If you're part of that crowd, leave a comment to let us know what the world of Peanuts has meant to you. Are these characters archaic? Have you read many? Are their situations current? Meaningful?
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6.10.2010

Jackie Drawing

John F. Kennedy on the campaign trail
Jacqueline Bouvier Kennedy, 1961
Ink on board

"I want to live my life, not record it." —Jacqueline Kennedy
Though rarely seen, there must be hundreds of little drawings by Jacqueline Bouvier Kennedy Onassis lining pages of notebooks and sketchbooks, in collections of friends and family. Drawing was simply a normal activity for her — a fun part of every day life. Growing up, she often spent time alone drawing and writing stories.
Fearless, Jackie Kennedy made eight drawings of her husband as she waited to be interviewed for the July 4, 1961, issue of Look Magazine. These ink cartoons on card stock show John F. Kennedy in various scenarios while campaigning for president. Above, JFK is interviewed by reporters while wrapped in towels, still wet from a shower.

Jacqueline Kennedy drawing in Ravello, Italy, 1962 by Benno Graziani
with sister Princess Lee and Prince Radziwill in background

"We are not the Brontë sisters, but Jackie and I did ocasionally put pen to paper, particularly when we gave presents to our mother —for Christmas or her birthday or an anniversary—since shefar preferred something we had written or drawn to anything we might buy for her." —Lee Bouvier
In the summer of 1951, Jackie and Lee Bouvier went off for a Grand Tour of Europe. In Venice, Jackie found a dashing artist and "was off every day scribbling with her art teacher." The sisters sent hilarious illustrated letters and poems home to their mother.

These handwritten letters, complete with illustrations and snapshots, were compiled and published as a book in 1974 — One Special Summer.

Most of the text is by Lee Bouvier but the drawings and poetry are all Jackie. The book is a period piece and an utter joy. It's a great place to explore the drawing delights of an exceptional woman.
“You have to be doing something you enjoy. That is a definition of happiness: “complete use of one’s faculties along lines leading to excellence in a life affording them scope”. It applies to women as well as to men. We can’t all reach it, but we can try to reach it to some degree” —Jacqueline Kennedy
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